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Viewing Blog: inspiration from vintage kids books and timeless modern graphic design, Most Recent at Top
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Grain edit inspires hundreds of designers and illustrators each day with our fresh content and exclusive interviews. Daily posts are hand picked for the best of timeless modern graphic design, typography and illustration from the 1950s – 1970s and contemporary designers that draw from that period. We feature rare design books, vintage kids books, posters and mid century modern ephemera from our bookshelves as well as other designers’ libraries.
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26. Javier Garcia Interview

Javier Garcia Interview via grainedit.com #designinprocess

I was first introduced to Javier Garcia through his intoxicating blog, No Barcode, where he posts his latest vintage finds. It was here that I discovered that he is an accomplished illustrator and designer in addition to having an amazing collection of design related ephemera.  A resident of the Bay Area via Mexico he is developed an audience for his highly expressive and colorful illustrations. In today’s interview, the 4th part of our ongoing design in process series, Javier speaks on his passions outside of design, his workflow and more. Enjoy!


Lets start off with a little bit about your background. Where are you from originally? When and how did you become interested in design?
I was born and raised in México. I grew up drawing since I can remember so my three options when I was going to college were architecture, industrial design or graphic design. I was a bit indecisive and went for a combined industrial and graphic design major back in México. That made me realize that what I wanted to do was more graphic and so I came to the US to go to school.

Javier Garcia #designinprocess #grainedit

Could you walk us through one of your projects? Please describe your workflow, including the tools, from pen and paper to software and devices.
I’m going to walk you through my Hail to the King illustration. First I think about what I want to say with the piece even if it’s subjective. In this case, the princes represents power which is something that both evil and good wants. I started by drawing  small sketches of the general idea. Since it was a collage of illustrations, I rearranged them multiple times in sketch form until I found the right placement for them. I proceeded to drawing each character multiple times until I got the desired look keeping in mind it’s placement. Then I scan those drawings and trace them in Illustrator. In this phase I play with the scale of the characters and just moving things around. Once I got this down I proceeded to play with a bit of texture which I have created my own photoshop brushes from actual hand inked textures that I drew and scanned myself. For this piece since there wasn’t much texture I converted that to vectors but I usually work with a lot of bitmaps. I used illustrator, photoshop and a wacom tablet to do this. And that’s it!

Javier Garcia #designinprocess #grainedit

Early sketches for Hail to the King!

Javier Garcia #designinprocess #grainedit

Hail to the King Poster

How has your process evolved since you first started designing?
As far as designing logos, packaging and print it’s been about the same. The drawing tablet replaced my mouse at some point but it’s all been the same process which starts on sketch form in the initial stage and then it’s all computer work from there. But as far as illustration, I have been going a bit backwards. My work is turning more into the hand drawn/inked direction. I use a lot more india ink and brushes now.

Javier Garcia #designinprocess #grainedit

Album cover for Mr. Ho’s Orchestrotica’s

Are you a creature of habit or do you like to try new technologies, applications, and features?
I’m not that much of a techie, I mostly use illustrator and photoshop to edit everything I do. Even when working with hand inked drawings I take it into photoshop and clean up/edit my files quite a bit. I try to mimmic old design and illustration techniques like inking by hand and creating textures by hand as close as possible. I feel that modern technology is not the same when it comes to translating that into the screen. I work in digital mediums but at least there’s a hand done quality to it. I can usually tell when someone used the computer to brush something. Some people are very good at it but I really enjoy the hand done process. So I think technology really speeds up my process but I don’t like to skip that human aspect phase of design.

Javier Garcia #designinprocess #grainedit
Javier Garcia #designinprocess #grainedit

Herb Lester Maps

What are your passions and interests outside of design and why?
This is very tough as I spend most of my time looking at design in one form or another. Architecture, pottery, furniture, interior design, and things of that sort are always on my mind. But outside design I really enjoy listening to music, surfing and being with my little boy and wife.

Javier Garcia #designinprocess #grainedit

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We would like to thank Javier for taking time to share with us. You can see more of his work at javiergd.com and his etsy shop.

This interview is part of the #designinprocess series brought to you by Adobe. Read all of the interviews here and follow along on Twitter and Pinterest at #designinprocess and #newcreatives.

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Also worth viewing…
Mike Cina Interview
Katie Kirk Illustration
Ty Mattson Interview

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27. Designbolaget

Designbolaget via grainedit.com

Designbolaget is a Copenhagen based design studio working at the intersections of art, fashion and culture. Founded in 2002 by Claus Due, the studio has been recognized with numerous awards.

Designbolaget via grainedit.com

Designbolaget via grainedit.com

Designbolaget via grainedit.com

Designbolaget via grainedit.com

 

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Also worth viewing:
Ross Gunter
Philographics
Lufthansa + Graphic Design

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28. Sponsor // Infographics

Infographics take stuffy, boring ol’ data and present it all in a fun, entertaining and easy-to-understand manner. Visuals make all the difference. And with this incredible bundle from Ingimage, your data will never be happier! You’ll get 100 high-quality, premium infographics, all provided in EPS format for super easy customization and editing!

Preview the collection here.

 

infographics

 

infographics

Features:

  • 100 Infographics
  • Full Customizable – Every infographic comes in EPS format
  • Easy to Edit
  • Tons of design elements: including: maps, diagrams, charts, graphs, signs, illustrations, buttons, ribbons, arrows, icons and loads more.

See the collection here.

 

Thanks to Signazon for being this week's sponsor.






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29. Til Hafenbrak

Till Hafenbrak via grainedit.com

Bold and playful work from Till Hafenbrak, an illustrator living and working in Berlin.

 

 

Till Hafenbrak via grainedit.com

Till Hafenbrak via grainedit.com

Till Hafenbrak via grainedit.com

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Also worth viewing…
Kevin Dart Interview
Mitch Blunt
Thereza Rowe

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30. Chevalvert

Chevalvert via grainedit.com

Chevalvert is a visual design studio co-founded by Patrick Paleta and Stéphane Buellet in 2007. Based on an open and multidisciplinary approach to design, the studio conceives work that is smart and succinct.

 

Chevalvert via grainedit.com

Chevalvert via grainedit.com

Chevalvert via grainedit.com

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Also worth viewing:
Ross Gunter
Philographics
Lufthansa + Graphic Design

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31. Edgar Bak

Edgar Bak via http://grainedit.com

Edgar Bak is a talented designer based out of Poland. A graduate of the Academy of Fine Arts in Warsaw, he can now be found art directing for various magazines and teaching typography and information architecture classes at the School of Form in Poznan. He was also a driving force behind Projekt: The Polish journal of visual art and design published by United Editions.

Edgar Bak via http://grainedit.com

Edgar Bak via http://grainedit.com

Edgar Bak via http://grainedit.com

 

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Also worth viewing:
Peak 21
Polish Book Covers
Polish Arts and Crafts Store Bag

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32. Novel Design Studio

Novel Design via grainedit.com

Novel is a multidisciplinary design firm based in Colorado. Operating out of a dome studio near Denver, they craft unique design solutions with clarity and confidence.

 

Novel Design via grainedit.com

Novel Design via grainedit.com

 

Also worth viewing is their “Don’t Be a Bear” project. To avoid the pitfalls of a bearish attitude and as a daily reminder, Jared Rippy of Novel created a new bear each day of 2013. You can view all 365 bears here.

Novel Design via grainedit.com

Novel Design via grainedit.com

 

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Also Worth Viewing
Matthew Lyons
Carl DeTorres
Mark Weaver

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33. Danielle Kroll

Danielle Kroll  via grainedit.com

It’s hard not to smile when viewing Danielle Kroll’s latest project. Inspired by vintage flash cards and picture books, the Brooklyn-based designer has created a series of “word recipes” as a way to add some art and whimsy into children’s education. Each recipe features images on the left that illustrate the syllables of the word on the right. The illustrations are silly and fun and always feature Danielle’s signature whimsical style.

 

Danielle Kroll  via grainedit.com

Danielle Kroll  via grainedit.com

 

 

Other projects by Danielle

 

Danielle Kroll  via grainedit.com

Danielle Kroll  via grainedit.com

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Also worth viewing:
Atipus
Lesley Barnes
Jesse Ragan

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34. Chloe Galea

Chloe Galea via grainedit

Solid packaging and editorial work from Chloe Galea, a Designer /Junior Art Director based in Berlin.

 

 

Chloe Galea via grainedit.com

Chloe Galea via grainedit

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Also worth viewing…
Nathan Godding
Studio Patten
Heartwork 2011

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35. Hugo Barros

Hugo Barros via grainedit.com

Enter the world of Hugo Barros, an artist from Lisbon, Portugal working with collage. Manipulating elements by hand, he creates dense compositions without the use of post processing tools like Photoshop. Although the subject matter varies from piece to piece, there are reoccurring themes in his work. Serene landscapes are often juxtaposed against cosmic imagery in a surreal explosion of color that feels apocalyptic in nature. The end result is mesmerizing and always worth a second look.

Hugo’s creations are available at Saatchi and similar work can be found in their collage section.

Hugo Barros via grainedit.com

Hugo Barros via grainedit.com

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Also worth viewing…
Contemporary Collage Book
Stone and Spear
Jelle Martens

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36. From the Job Board: Secretly Canadian is Hiring

Secretly Canadian

Secretly Label Group is seeking a full-time designer. The position will be serving the labels Dead Oceans, Jagjaguwar, and Secretly Canadian. This is an amazing opportunity considering the depth of talent found on these labels. Damien Jurado, Bon Iver, Jens Lekman and Antony and the Johnsons are just a few of the artists you could be potentially designing for. To learn more about the position, please visit the grain edit job board.

You can subscribe to our job listings via RSSEmail or follow at Twitter and Facebook.

Here’s a small sampling of album cover art created for the Secretly Label Group:

secretly candian

Damien Jurado  - Brothers and Sisters of the Eternal Son

secretly candian

Bon Iver - For Emma, Forever Ago

secretly candian

Bon Iver - Bon Iver

You can apply for the designer position here.

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37. Manuals 1: Design & Identity Guidelines

Manuals Unit Editions

I’m very excited to hear of Unit Editions latest release – Manuals 1: Design & Identity Guidelines. The book is the first comprehensive study of corporate identity design manuals, and features 21 examples from the 1960s to early 1980s. Included are manuals created for NASA, Lufthansa, British Steel and the Cana­dian Broad­cast­ing Cor­po­ra­tion.

Pre-order a copy at Unit Editions.

 

Manuals by Unit Editions via grainedit.com

Manuals by Unit Editions via grainedit.com

Manuals by Unit Editions via grainedit.com

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Also worth viewing…

Herb Lubalin Book
Adrian Shaugnessy: Scratching the Surface
FHK Henrion: Design Coordination and Corporate Identity

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38. Sponsor // Signazon

Signazon.com is the first design-friendly, design-file ready online print company. Transform your designs from computer creations to real life pieces of art with ease. The company allows you to upload your files in multiple formats from vector-based files to raster files. The technology used by Signazon is able to work with .PS, .EPS. PDF, .AI, .PNG, .JPG, .TIF, .GIF, .BMP, .DOCX/.DOC (Word), .PUB, and .XPS files. Customers have the choice to upload a finished design file, upload and design using the online design tool, or choose from thousands of templates. As an added bonus, all file upload and editing services are free of charge.

Signazon.com’s industry leading, full-color print quality can capture your artwork off the screen like no other printer has before. Use the exclusive “grain edit” readers’ discount code GRAINEDIT15 at checkout for 15% off of your first purchase.

Still a student? Design and compete in Signazon’s 4th Annual “Design-A-Sign” Scholarship Contest for your chance to win $1,000 toward your education.

signazon

A Huge thanks to Signazon for sponsoring this week’s RSS Feed! Interested in sponsoring the Grain Edit Feed? Visit our sponsorship page for more info.

 

 

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39. Japan – Nippon

Japan Nippon via grainedit.com

Japanese graphic design is characterized by a unique aesthetic, oscillating between its own pictorial tradition and Western visual culture. In Lars Muller’s lastest release, Japan-Nippon they explore the Japanese poster and how it functions most notably as a highly aesthetic image advertisement, presupposing the designer as an artist.

 

Japan Nippon via grainedit.com

 

Japan Nippon via grainedit.com

 

Japan Nippon via grainedit.com

 

Japan Nippon via grainedit.com

 

Japan Nippon via grainedit.com

 

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Also worth viewing:

Saul Bass Book
Design Books
Holiday wish lists

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40. Tim Easley

Tim Easley via #grainedit

Tim Easley  is a designer and illustrator from London. A self-professed fan of daydreaming and doodling, he creates bold works brimming with rich textures and vibrant illustrations.

 

Tim Easley via #grainedit

Tim Easley via #grainedit

Tim Easley via #grainedit

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Also worth viewing…
Argijale
New Design Books
YWFT Fonts

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41. Jonathan Calugi Update

Jonathan Calugi via #grainedit

Italian designer and illustrator Jonathan Calugi recently updated his portfolio with a series of new projects. It’s well worth a visit if you’re a fan of his signature black and white line work.

Jonathan Calugi via #grainedit

 

Jonathan Calugi via #grainedit

 

Jonathan Calugi via #grainedit

 

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Also worth viewing…
Lotta Nieminen
Recently Received Books
Irving Harper:Works in Paper

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42. Felix Pfaeffli

Felix Pfaeffli via #grainedit

I’m very impressed with these posters from Felix Pfaeffli, an accomplished young designer from Luzern who is producing very polished and mature work for his age. In addition to running his own studio he is a teacher at the Lucerne School of Graphic Design where he lectures on typography, narrative design, and poster design.

Felix Pfaeffli via #grainedit

Felix Pfaeffli via #grainedit

Felix Pfaeffli via #grainedit

Felix Pfaeffli via #grainedit

Felix Pfaeffli via #grainedit

Felix Pfaeffli via #grainedit

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Also worth viewing:
Ross Gunter
Philographics
Lufthansa + Graphic Design

Not signed up for the Grain Edit RSS Feed yet? Give it a try. Its free and yummy.
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43. Valentine’s Day for the Design-Minded

House Industries Love Hearts Blocks

House Industries Love Heart Blocks

With Valentine’s Day just around the corner, we’ve compiled a small list of gift ideas for the design-inclined. Included are items from House Industries, Wieden + Kennedy, Braun and more. In addition, you will find some fun items that fit within the sprit of the holiday. See the full list here.

 

 

Love Games by Postal Co.

Love Games by Jason Fulford and Tamara Shopsin for Postalco

Swiss Army Blanket

Swiss Blanket

Love-O-Meter Card by W + K

Love-O-Meter Card by Sarah Hollowood for W + K

Amour Print by House Industries via #grainedit

Amor print by House Industries

 

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Also worth viewing…
Recently Received books
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44. From the Job Board

pennypopjob

UI/UX Designer – PennyPop (SF,CA)

You can subscribe to our job listings via RSSEmail or follow at Twitter and Facebook.

 

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Also worth viewing: 50+ Designers on Twitter: Our Favorites to Follow

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45. Roseta y Oihana

Roseta y Oihana via grainedit.com

Roseta Mus Pons and  Oihana Herrera Erneta are the minds behind Roseta y Ohihana, a multidisciplinary design studio based in Barcelona. Recently they updated their site with some impressive new work including these promotional materials for MCP.

 

Roseta y Oihana via grainedit.com

Roseta y Oihana via grainedit.com

Roseta y Oihana via grainedit.com

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Also worth viewing…
Ed Nacional
Wander Postcard Project
Doublenaut

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46. Sponsor // Respublika Font Family

Made up of 10 unique styles, Respublika FY, from FontYou, is a gorgeously balanced humanistic sans serif font. Complete with 10 different styles ranging from light to extra black italic, there’s pretty much nothing this titanic typeface can’t do! And for a limited time only, you can get the entire family for 88% off thanks to this Mighty Deal!

Respublika via grainedit.com

  • Humanist Sans Serif Typeface
    Respublika FY is a fabulously unique font to add to your typeface toolbox. A humanistic sans serif typeface, the large range of styles lets designers really set some incredible layouts with some truly rich contrasts.
  • 10 Different Styles
    You don’t just get one fabulous font with the Respublika FY font. You actually get 10 fabulous fonts! The Respublika FY Family is available in 10 styles, and with this Mighty Deal, you’ll get all 10 of the following: light, light italic, regular, italic, bold, bold italic, black, black italic, extra black, and extra black italic.
  • Well-Balanced Shape
    What’s so sweet about Respublika? Besides all the different shapes and contrasts, you’ll find this family is neither too rigid, nor too round. It’s just a very well-balanced typeface all around.
  • Versatile in Use
    Wondering what Respublika FY’s best used for? Thanks to its well-balanced nature, you can use this terrific typeface for small size elements or even large, powerful headlines.
  • Manual Font Hinting
    Diversity is the name of the game and with Respublika FY, you don’t have to worry about being pigeonholed into just one thing. Thanks to its manual font hinting, this typeface beautifully displays on any screen, whether it’s a website or an app.
  • Great for Online and Print
    No matter what your next project is, Respublika FY has you in its sights! Use it on just about anything you’re currently working on whether it’s online or in print. That goes for headlines, magazines, logos, posters, book covers, packaging, editorial pieces, you name it.

 

respublika-2

 

Respublika via grainedit.com

 

Respublika via grainedit.com

 

Respublika is currently available at Mighty Deals.

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Also worth viewing:
Book Gift Guide
Blex Bolex
Recent Books

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47. Merijn Hos

Merijn Hos via grainedit.com

Merijn Hos is an Illustrator and Visual Artist based in Utrecht, the Netherlands. Splitting his time between personal and commercial projects he creates rich illustrations where mischievous characters and fantastical machines dot whimsical yet slightly eerie worlds.

 

Merijn Hos via grainedit.com

Merijn Hos via grainedit.com

Merijn Hos via grainedit.com

Merijn Hos via grainedit.com

Merijn Hos via grainedit.com

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Also worth viewing…
Lotta Nieminen
Recently Received Books
Irving Harper:Works in Paper

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48. Pinterest Picks

pinterestpicked-912

Typography by Sasaki Shun

Here’s our latest round of Pinterest picks. Follow us on Pinterest to see more of this good stuff.

pinterestpicked-9

Iso by Ache Rodríguez

pinterestpicked-5

Design for The Solitudes by Eric White

pinterestpicked-4

Icelandic post stamp, designed by Siggi-Eggertsson

pinterestpicked-3

David Gentleman

 

pinterestpicked-1

 

Colorful canoe paddles by Norquay 

pinterestpicked-2

The drawings of Paul Noble

 

 

pinterestpicked-8

Affiche Jazz au Lavoir / Heureux les cailloux

 

pinterestpicked-910

Geometric Street Art by Aakash Nihalani

pinterestpicked-911

The ring house & atelier’ by marwan zgheib

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Also worth viewing…
Argijale
New Design Books
YWFT Fonts

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49. Ty Mattson Interview

tymattson-interview-913

Browsing through the portfolio of Mattson Creative, an award-winning design studio based in Southern California, can prove to be a daunting task.  It’s easy to be overwhelmed by the quantity and consistent quality of work. I’ve long admired their expressive illustrative style and am especially smitten with their self-initiated projects for popular TV shows including Dexter, Lost and more recently Breaking Bad. We’ve profiled the studio in the past, but in today’s interview we talk with Ty Mattson, the studio’s founder and creative director.

Tell us a little bit about your background. Where are you from originally?
Originally I’m from your neck of the woods. I was born in Walnut Creek and lived in the Bay Area until I was about 12, then I moved to Southern California.

I was interested in design before I knew what “design” was. I remember getting a birthday invitation in pre-school that was a rebus – a mix of icons and letters to create a message – and I thought it was amazing. I carried it with me in my pocket for weeks. I’ve made art for as long as I can remember – crayons, magic markers, pencils. Lots of Superman. I still have drawings of every character from Star Wars that I made when I was a kid.

mattson creative

Ty Mattson’s studio

What was your first design gig?
My first design gig…well there were little things like programs for High School plays an things…or employee t-shirts at Disneyland…when I was in college at the University of Michigan I illustrated covers for the Ann Arbor Observer and I designed the logo for the University Arboretum. These projects started out as school assignments, then they became real projects. After school I came back to California and started working for a design firm.

Could you walk us through one of your projects? Please describe your workflow, including the tools, from pen and paper to software and devices.
So we do a wide range of things at Mattson, and each type of project requires somewhat of a unique approach. We do a lot of entertainment branding and consumer product packaging, so we create a lot of style guides and branded programs for Nickelodeon, Dreamworks, Discovery Channel and others…so those projects usually have very specific goals and requirements where our creativity is very focused and specific because typically the core brand visual language already exists – so our job is extend it or expand it to various applications like packaging or products, etc.  We also do a lot of corporate branding where we are creating and establishing a visual language from scratch. We may come up with a name…create mood boards…then develop logo concepts, followed by whatever else the client needs – stationery, business cards, websites, trade show or environmental expressions. Then we also do illustration – where we might create a book or a series of posters. I have had a lot of fun with these types of projects over the last few years particularly when I get to reinterpret a brand that is part of popular culture. I’ve designed poster series that have been inspired by “Lost”, “Dexter” and “Breaking Bad” that have been embraced by the fans of those particular programs.

CBS called and asked me to do a series of prints inspired by their classic shows. They were looking to decorate their new office with some unique pieces of custom art. I was incredibly excited to collaborate with them on this project…especially given the cultural significance of some of the television shows that they had selected. I was actually a little intimidated by some of them…I mean the idea of creating a print that represents “I Love Lucy”…is a tricky proposition.

Ty Mattson Interview via grainedit.com
tymattson-interview-2

 

Early sketches for the I love Lucy Poster

That was really the most challenging thing about this project – trying to figure out the the heart of these classic shows – getting down to the DNA and figuring out what it was that was special, unique or iconic. It’s actually the same thing we do on any branding project – discovering what it is that makes a client distinct. You have to do that first, then you can translate it into a unique visual language.

My process on the CBS prints was first to figure out what made the shows iconic. So I watched episodes and intros on YouTube and did research about each show. Most of them I was very familiar with already so I had a strong understanding of the visuals that were associated with these brands.

Ty Mattson Interview via grainedit.com

Ty Mattson Interview via grainedit.com

Early sketches for the I love Lucy Poster

From there I would create quick thumbnail sketches in Adobe Photoshop using a Wacom Cintiq. This allows me to work very quickly at the conceptual level. I did a few ideas for each show and would share these with the client. Working with CBS was fantastic. We worked quickly and they had great notes on everything. I think they selected the strongest concepts as well.

Ty Mattson Interview via grainedit.com

 

Finished art work for CBS

Once the client selected the concepts they wanted to move forward with, I used Adobe Illustrator to take each concept to the final, finished art.

Ty Mattson Interview via grainedit.com

The posters were silk screened on paper. Some of them we did really big and it proved very difficult to find a silkscreen printer who could print bigger than 24×36. That was the biggest challenge of the project overall. But once we got the finished prints up on the walls in the CBS, they really looked incredible.

How has your process evolved since you first started designing? Are you a creature of habit or do you like to try new technologies, applications, and features?
It’s hard to say how my process has evolved, other than I do feel like I’ve become more considerably faster and I am more comfortable in it. In terms of execution…I am probably more of a creature of habit…when I don’t have to think about the technology, that’s when I appreciate it the most.

mattson creative

 How do you like to share your work with the creative community? Is the feedback you get valuable and does it influence your work going forward?
I typically can’t share work in progress with the larger creative community until it’s complete…but once we do finalize work, we’ll typically share via the site, newsletter and social media.

Analytical tools are now ubiquitous, and because of this designers are often asked to back up their work with data and research. With this in mind, how much of your work is based on intuition — and what role should intuition play in design today?
Well, I think all of my work is a reflection of my intuition in some way. Every project is the culmination of hundreds and thousands of decisions. This typeface or that typeface…this color or that color…this much space…or that much space…etc etc. And most of those decisions are intuitive… The truth is, our deliverables are subjective. No two design firms are going to create the same logo for the same client, so a designer’s intuitive sensibility is always one of the reasons that we’re hired in the first place. I think research and data are very important at the beginning of a project. Good work is smart work, not just beautiful work.  Smart work requires “research” to a certain degree. The more information and data you have about a brand or the audience, I think that is a good thing. I think that knowledge can give a designer more opportunities to pursue at the beginning of a project. But I don’t think research and data have any place at the end of the creative process to “qualify” or “validate” creative. I love Steve Job’s quote about this, ”It’s really hard to design products by focus groups. A lot of times, people don’t know what they want until you show it to them.”

Ty Mattson via grainedit.com

Ty Mattson via grainedit.com

Ty Mattson via grainedit.com
 Recent work for Audi celebrating the legendary carmaker’s rich history of innovation.

What are your passions and interests outside of design and why?
Well I’m a dad. I have a 3 year old and a 1 year old…so I’m passionate about my kids and my family which take up most of my time outside of work. I try to get a trail run in once a week. And I’m attempting to learn how to play electric guitar.

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We would like to thank Ty for taking time to share with us. You can see more of his work at mattsoncreative.com.

This interview is part of the #designinprocess series brought to you by Adobe. Read all of the interviews here and follow along on Twitter and Pinterest at #designinprocess and #newcreatives.

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50. Broken

Broken the book

Our friend Nate Burgos has teamed up with Stephanie Di Biase for an exciting new book aimed at working creatives. Featuring illustrations by Lucy Engelman, Broken: Navigating the Ups and Downs of the Circus Called Work, addresses the challenges of toxic work environments and other barriers to getting things done.

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