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This is a private selection of poems by the author belonging to her unpublished works: The art of surrendering, Beyond Eros, April s Nocturnes, Strictly random. Their chronology is diverse: some were already turning yellow a long time ago. The process of extraction was equivalent to putting your hand in that piggybank of memories and papers that every writer keeps in some corner of his or her hous... More

This is a private selection of poems by the author belonging to her unpublished works: The art of surrendering, Beyond Eros, April s Nocturnes, Strictly random. Their chronology is diverse: some were already turning yellow a long time ago. The process of extraction was equivalent to putting your hand in that piggybank of memories and papers that every writer keeps in some corner of his or her house or at least his or her soul. The chosen principle was to select them at random only. Nevertheless, the task having been accomplished, it is possible to perceive a thematic differentiation between them: their origin.. This gave rise to the division of the poems into four sections, their titles clearly summing up the criterion. The reader will notice that the poet seems to prefer the nostalgic minor mode, the most sombre mood of the blues, to the sparkle of the fanfare.



DESCRIPCIÓN

Esta es una selección particular de la autora de poemas pertenecientes a libros suyos inéditos: El arte de sucumbir, Más allá de Eros, Nocturnos de Abril, En orden de azar. Su cronología es diversa: algunos amarillean desde hace tiempo y su extracción ha equivalido a meter la mano en esa hucha de memorias y papeles que todo escritor mantiene en algún rincón de la casa o, por lo menos, del alma. El criterio aplicado ha sido elegirlos únicamente al azar. No obstante, cumplida la tarea, sí es posible percibir una diferenciación temática entre ellos: el causante. Eso ha dado origen a la división en cuatro secciones, y sus títulos resumen con claridad el juicio. El lector observará que la poeta parece preferir el nostálgico tono menor, el mood más sombrío del blues, al destello de la fanfarria.

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