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This sweet, simple story from Marjorie Newman (The King and the Cuddly) and award-winning Scottish illustrator Patrick Benson (The Sea-Thing Child) somehow avoids clich� while teaching one of life's oldest lessons: if you love something, you really shouldn't hold it prisoner in a tiny, handmade wooden cage.

With spare text, Newman explains how Mole finds a baby bird that has fallen o... More

This sweet, simple story from Marjorie Newman (The King and the Cuddly) and award-winning Scottish illustrator Patrick Benson (The Sea-Thing Child) somehow avoids clich� while teaching one of life's oldest lessons: if you love something, you really shouldn't hold it prisoner in a tiny, handmade wooden cage.

With spare text, Newman explains how Mole finds a baby bird that has fallen out of its nest, apparently abandoned. ("Mole waited and waited, but no big bird came to help it.") He takes the tiny bird home to keep, despite his parents' warnings: "'It's my pet bird,' said Mole. 'It's not a pet bird. It's a wild bird,' said his mother." Eventually, the baby bird tries to fly, and the earnest, industrious Mole builds a cage (with the bird's help!) to keep him from leaving. ("He put the bird into its new cage. The bird was sad. Mole's mother was sad, too. But Mole kept his bird, because he loved it.") Eventually, it falls to visiting Grandad to gently nudge Mole into doing what he knows he must.

As in The Sea-Thing Child (with Russell Hoban), Benson's understated artwork helps to keep this fairly adult message accessible for wee ones, with thoughtful compositions that carry the meter towards the book's inevitable end. But Benson's most memorable accomplishment is the subtly sad and comic baby bird, who regularly peeks out to look directly at the reader. (Ages 4 to 8) --Paul Hughes

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